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Kehinde Wiley Debuts Sculpture In Times Square Featuring An African American Warrior

MARY LOUISE KELLY, HOST:

Kehinde Wiley painted the official portrait of President Barack Obama that was unveiled last year. Wiley often shows African Americans in the heroic poses of old masters paintings. His latest work is a piece of public art, a sculpture. And it's sitting in New York City's Times Square before it head south to Richmond. We sent NPR's Rose Friedman to find out what people think about it.

ROSE FRIEDMAN, BYLINE: At first glance, the statue, called Rumors Of War, looks familiar - at least it does to Lawrence Breban and Lorena Roit, who are visiting from Belgium and Spain.

LAWRENCE BREBAN: Actually, you see these in a lot of cities because there was a lot of war going on in the old days.

FRIEDMAN: A man on a horse, a warrior.

BREBAN: Usually it's from 17...

LORENA ROIT: But the guy has a pullover and Nikes.

BREBAN: Nikes?

ROIT: Yeah.

BREBAN: Oh, yeah.

FRIEDMAN: A pullover and Nikes - while Wiley's statue looks like one of those old monuments, this warrior is young, African American. He's wearing modern clothing. He has dreadlocks.

ADAM HONORE: We actually came to Times Square to see this because he's one of my favorite artists.

FRIEDMAN: Adam Honore is a freelance lighting designer for Broadway shows. He already knew about the bronze man on the horse, which Wiley's publicity says was made as a direct response to the, quote, "ubiquitous Confederate sculptures that populate the United States, particularly in the South," unquote.

HONORE: I'm really kind of taken aback by the way he's looking backwards because it actually is a reflection on how the Confederate statues were built.

FRIEDMAN: Wiley's statue was created for the Virginia Museum of Fine Arts in Richmond. In December, it will move there to sit permanently at the museum's entrance. But for now, it's sitting against the flashing lights of Times Square.

TATIANA WALTZ: I mean, I guess Times Square does have cultural significance, but it just seems like an odd place, like it should be near a museum.

FRIEDMAN: Tatiana Waltz of Seattle was a little surprised to see it here. But Rob Tse, who lives in Brooklyn, thought it fit the setting.

ROB TSE: In Times Square, I quite like it because it's kind of subversive, like a silent commentary - right? - on monuments in America.

FRIEDMAN: And Vincent Bowen from Denver agrees.

VINCENT BOWEN: We've had statues that didn't necessarily serve the greater good. And thankfully, we're starting to address some of that.

FRIEDMAN: He noted the recent controversies over the removal of Confederate statues across the country. He thought this was a better solution.

BOWEN: Let's not answer violence with violence. There's something violent about tearing something down. Well, let's put something up so that we can give people the opportunity to be better and to understand, hey, wait a minute. Maybe this is the story we want to tell rather than that story.

FRIEDMAN: Rose Friedman, NPR News, New York. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Rose Friedman is an Associate Editor for NPR's Arts, Books & Culture desk. She edits radio pieces on a range of subjects, including books, pop culture, fine arts, theater, obituaries and the occasional Harry Potter-check-in. She is also co-creator of NPR's annual Book Concierge and the podcast recommendation site Earbud.fm. In addition, Rose has edited commentaries for the network, as well as regular features like This Week's Must Read on All Things Considered.