Jewly Hight
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The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
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Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.
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On Torres' Thirstier, Mackenzie Scott contends with pop music's tropes and techniques to wrestle with the high stakes of a long-term relationship: "This is about the love of my life."
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This fall, the bluegrass supergroup Sister Sadie became the first all-female band ever to win the top prize at the International Bluegrass Music Association awards.
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The intersections of country music and LGBTQIA+ communities can sometimes come across as solitary acts of bravery. But the state of queer country is better measured by its full time residents.
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Dierks Bentley and his band tapped into a long tradition of comedy and country music when they created a parody group to open for them on tour. Now, Hot Country Knights has a debut album.
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Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.
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There really was no precedent for Maybelle Carter, who learned to play from her own mother and spent much of her life teaching her children — as well as generations of country stars that followed.
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In the '90s, Brooks & Dunn helped to broaden country music's audience with its embrace of a wide range of sounds and on-stage spectacle. 25 years later, their influence is everywhere in Nashville.
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The country legend's new album returns to some of her commercial roots, telling stories of domestic betrayal in grand yet thoroughly grounded fashion.