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The Narcs, made up of four incredibly talented Salt Lake City natives, delivered a standout performance and seemed to feel right at home. It felt like a party right as they walked in, to the moment they left.
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We check in with USU’s Nora Eccles Harrison Museum of Art about their exhibits, including Jim Mangan: The Crick, a meditation on religious succession, patriarchal systems, zealotry and fraternity;
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A fresh, playful set blending reflective originals, bluesy charm, and a dash of whimsy — featuring Donald Harrison’s groove, Sam Yahel’s lyricism, and a lighthearted turn from the Dave Pell Singers.
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Dima Khalifa shares with Amy Nadel the story of her mixed religion upbringing, working in national parks, and coming to find home in Zion.
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A spirited jazz set of modern originals and timeless echoes — featuring Jeremy Pelt’s resilience, Alexa Tarantino’s tribute to Albert, and swinging turns from Pat Bianchi and Joe Magnarelli.
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Trading distortion for delicacy, indie singer-songwriter Luke Weston transformed our studio into something quiet, reflective, and deeply personal from the moment he started playing.
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Joan Corodova asks Lyman Whitaker about his path making a living in art.
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Intermountain Song Trails is a new oral history project exploring how songs travel across generations, families, and migration routes, from lullabies to work songs to church or scouting traditions.
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When Jason Haywood realized there’s no one in his area who develops film photography, he stepped in — and began recovering nostalgia.
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On this episode we talk with Wil Wood, author of “And It Was Beautiful” and Zack Garner and Rachel Quillen Garner, writer and illustrator, respectively, of “Half Moon on the Moon.”
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A thoughtful and wide-ranging jazz set blending big band swagger, atmospheric guitar, and modern originals — featuring Kurt Elling, Bill Frisell, Monika Herzig, and Noah Preminger.