Community Calendar

The Utah Flower Market is a joyful celebration of abundance, beauty, and the art of locally grown flowers. Held Wednesdays from mid-April to mid-October at Grove Station in Pleasant Grove, the market bursts with color and fragrance from dozens of unique, seasonal blooms freshly harvested by local growers. From delicate ranunculus and vibrant zinnias to fragrant sweet peas and bold dahlias, each week offers something new and unexpected. Set against the backdrop of a beautifully restored venue, the market creates an immersive, sensory-rich experience where visitors are surrounded by the stunning results of Utah’s flourishing flower farms.

Whether you're a floral designer sourcing 10-stem bunches of premium blooms or a flower lover looking to create your own arrangement, the market has something for everyone. Shoppers can browse a wide variety of flower types, or head to the bouquet bar for $5 bunches to build a personalized bouquet on the spot. Meet our friendly growers, soak up the scent of flowers in the air, and enjoy a specialty soda from Grove Station's soda shop. The Utah Flower Market is more than a place to shop—it's a place to slow down, connect with your senses, and savor the fleeting beauty of the season.

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

This is one of Salt Lake City’s most beloved landmarks. Completed in 1894, the building is Utah’s finest example of Richardsonian Romanesque architecture.

This free one-hour guided tour begins with the base isolators beneath the building and ends in the clock tower high above. Registration is required and can be found on our calendar https://www.preservationutah.org/calendar

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time.  

The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA.  

Co-curated by art historian Michael Duncan and NEHMA curator Bolton Colburn 

The Utah Flower Market is a joyful celebration of abundance, beauty, and the art of locally grown flowers. Held Wednesdays from mid-April to mid-October at Grove Station in Pleasant Grove, the market bursts with color and fragrance from dozens of unique, seasonal blooms freshly harvested by local growers. From delicate ranunculus and vibrant zinnias to fragrant sweet peas and bold dahlias, each week offers something new and unexpected. Set against the backdrop of a beautifully restored venue, the market creates an immersive, sensory-rich experience where visitors are surrounded by the stunning results of Utah’s flourishing flower farms.

Whether you're a floral designer sourcing 10-stem bunches of premium blooms or a flower lover looking to create your own arrangement, the market has something for everyone. Shoppers can browse a wide variety of flower types, or head to the bouquet bar for $5 bunches to build a personalized bouquet on the spot. Meet our friendly growers, soak up the scent of flowers in the air, and enjoy a specialty soda from Grove Station's soda shop. The Utah Flower Market is more than a place to shop—it's a place to slow down, connect with your senses, and savor the fleeting beauty of the season.