Howie Movshovitz
Howie Movshovitz came to Colorado in 1966 as a VISTA Volunteer and never wanted to leave. After three years in VISTA, he went to graduate school at CU-Boulder and got a PhD in English, focusing on the literature of the Middle Ages.
In the middle of that process, though (and he still loves that literature) he got sidetracked into movies, made three shorts, started writing film criticism and wound up teaching film at the University of Colorado-Denver. He continues to teach in UCD’s College of Arts & Media.
He has been reviewing films on public radio since 1976 (first review: Robert Altman’s Buffalo Bill and the Indians). Along the way he spent nine years as the film critic of The Denver Post, and has been contributing features on film subjects to NPR since 1987.
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Best known in the U.S. for his jazz film Round Midnight, Tavernier directed some 40 features and documentaries. He was also a noted film historian who wrote a book about American cinema.
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After the Storm is the latest from internationally revered Japanese writer/director Hirokazu Kore-eda. Like his last several films, it deals with a family going through death and divorce.
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The Salesman is the latest work by celebrated Iranian filmmaker Asghar Farhadi. Based on Arthur Miller's Death of a Salesman, the film explores the life of a young couple in Tehran.
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Kiarostami began making films in 1970 and continued after the 1979 Islamic Revolution. His work helped make Iranian cinema a major international force. The director died Monday in Paris at age 76.
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The new film from British director Mike Leigh, Mr. Turner, takes up an historical figure: iconic British painter JMW Turner. But it also incorporates another theme of Leigh's: the human story of the working person. Painting was Turner's job and he was as down to earth as a factory worker.
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Filmmakers Alex and Andrew Smith knew American Indian writer James Welch — he was a family friend. But as non-Native Americans, they had concerns about adapting his iconic novel, Winter in the Blood.
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Shirley Clarke's 1967 film Portrait of Jason has returned to theaters after a meticulous restoration. As a historian and a documentarian tell reporter Howie Movshovitz, it's as remarkable in many ways today as it ever was.
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Already the poster child for his country's so-called New Wave of filmmakers, the director takes another realistic dive into the post-Communist Eastern Bloc with Beyond the Hills. Though he hesitates to call it a straight metaphor, the symbolism of the film is uncanny.
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Sydney Pollack died Monday of cancer at his home in Los Angeles. He was best known for directing The Way We Were, Out of Africa, Tootsie and Three Days of the Condor, among many other movies. But he began his career as an actor.
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This year's European Film Award for best movie was won by an unknown Austrian, who beat out established directors like Pedro Almodovar and Ken Loach. The Lives of Others is set in the former East Germany. It's about a Stasi agent who has a change of heart about his country's repressive regime — in part because of a beautiful piece of music.