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A number of film critics are calling "Sinners" the best film of 2025 and a visionary triumph. I wouldn't go that far. "Sinners" is the director/screenwriter's love letter to familial grief and the history of blues music.
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I know I don't say this a lot, but please put this film on your watch list. It will stay with you long after its hopeful conclusion.
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When the closing credits were playing, and my friend and I were chatting about this film in the murky theater, she said, "I think I'm dumber after watching that."
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This version of Nosferatu is clearly a triumph of cinematic technology. The acting and dialogue are a different matter.
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I highly recommend this film for everyone, but only if you think you can handle the outrageous style of gore it has waiting for you, from the bodily fluids to the screams.
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It's just okay for an anticipated sequel, but it could have been outstanding. At least Tim Burton is starting to get his quirky mojo back.
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Is Trap supposed to be a tense thriller or a dark comedy? After watching the one hour and 45 minutes of this film, I gave up caring about my answer.
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The NEON studio has just released one of the best films I've seen so far this year.
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A Quiet Place: Day One works successfully since it isn't just about the science-fiction violence with the aliens prowling and attacking. There's also time given to the characters' feelings and backgrounds, which takes viewers through the well-paced peaks and valleys of noisy intensity and hushed contemplation.
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After watching this one, I became concerned about the overall quality of new releases in theaters today. We're approaching the edge of a content cliff resulting from the Hollywood writers and actors strike from last year.