Horror

"Backrooms" is so different and so brilliant, you might feel the need to watch it more than once.

I know this sounds dramatic, but this film is the best one I've seen so far this year.

The trappings might be traditional and customary, but I promise you, this will get your heart racing.

All the dialogue is written with the emotional depth of an Etch-a-Sketch drawing, and too many of the moments meant to be scary are heavily referential to other horror films everyone already knows.

"Undertone" has some moments of brilliance, and it offers a lot of commentary on the growing isolation happening in collective youth culture.

Host Laura Gelfand continues Eating the Past's ongoing discussion on historical cookbooks with one from 1965 by Vincent and Mary Price called "A Treasury of Great Recipes"

"Him" is not a travesty, nor is it a great achievement. Being too devoid of narrative content makes this just a little under an "okay" rating.

I did not enjoy this film, I'm sorry to say. The technical elements are dazzling, but the story ends up being a hugely lackluster disappointment.

It totally transported me and will be an unforgettable experience for all who watch it. Do you believe in the power of resurrection? This film might change your mind.

A number of film critics are calling "Sinners" the best film of 2025 and a visionary triumph. I wouldn't go that far. "Sinners" is the director/screenwriter's love letter to familial grief and the history of blues music.