Horror

All the dialogue is written with the emotional depth of an Etch-a-Sketch drawing, and too many of the moments meant to be scary are heavily referential to other horror films everyone already knows.

"Undertone" has some moments of brilliance, and it offers a lot of commentary on the growing isolation happening in collective youth culture.

Host Laura Gelfand continues Eating the Past's ongoing discussion on historical cookbooks with one from 1965 by Vincent and Mary Price called "A Treasury of Great Recipes"

"Him" is not a travesty, nor is it a great achievement. Being too devoid of narrative content makes this just a little under an "okay" rating.

I did not enjoy this film, I'm sorry to say. The technical elements are dazzling, but the story ends up being a hugely lackluster disappointment.

It totally transported me and will be an unforgettable experience for all who watch it. Do you believe in the power of resurrection? This film might change your mind.

A number of film critics are calling "Sinners" the best film of 2025 and a visionary triumph. I wouldn't go that far. "Sinners" is the director/screenwriter's love letter to familial grief and the history of blues music.

I know I don't say this a lot, but please put this film on your watch list. It will stay with you long after its hopeful conclusion.

When the closing credits were playing, and my friend and I were chatting about this film in the murky theater, she said, "I think I'm dumber after watching that."

This version of Nosferatu is clearly a triumph of cinematic technology. The acting and dialogue are a different matter.