Wild About Utah: Rumba in the primavera sun
Spring dreams have already started to thaw within my winter mind. Though I know it is still time until the snow turns to mud, and longer until the mud settles to soil, I can’t help but look forward to my time in the garden, tilling earth, planting seeds, and lazing in the fragrant primavera sun. Ooooo yeah. Sun. Spring. Celia Cruz Cuban rumba, big dumb straw hats, and onyx rich loamy soil. Is there anything better?
When I’m in one season, I generally try not to think about whether I should be thinking about the next, though it’s hard not to think about what you should or should not think about, especially when such thoughts are bound by fond memories and anticipation as sweet as a perfect mango.
There is a certain unripe lime of guilt I hold, that I should lean into every season with full and open heart and that I’m acting unappreciative to the winter season by dreaming ahead. I think this thinking is perhaps a remnant of an older, younger me, one who strove to be in every moment in every moment, and, ironically, often fit the puzzle pieces according to order rather than taking that which caught my eye in that moment.
I think with years I’ve learned that there is no harm in a dream of piña colada spring days during rye whisky winter, especially when that dream comes with at least a bit of action. It’d be one thing to wish for planting season and not ravenously browse my Johnny’s catalog, check on my seed stores from last year’s harvest, and make sure there’s enough coconut milk. It’s another thing that I do.
Regardless, as I dream of spring and the chlorophyll which shall abound like a shoot from that onion you forgot about in the back of the pantry, I find eager joy in the challenges I am to face as much as the possibilities in their being overcome. This year’s drip irrigation can be more efficient. This year’s compost amendments can be richer. This year’s tomato pruning can tame my nightshade jungle. This year’s harvest can be tastier. And this year, I’ll finally build that tiki bar.
I look forward to taking the lessons learned through past mistakes. Whether those learnings came by exposures of hubris, faith, incompetence, or all three shaken together with rocks, it is important, at least to me, that joyous dreams of labor are sought equally with joyous dreams of abundance. Abundance without labor may be Eden, but Eden after all wasn’t fit for humankind. I’d rather be in my natural state than contending with high stakes iterative bureaucracy.
So, I return to my winter landscape before me, for I cannot stay in this spring space forever, mixing my mind’s sagebrush mojito with flavors both near and far. Outside, snow continues to fall; the sun continues to wake; greenery continues to wait.
And now the dream of the future is a memory of fond past, having met at that synaptic crossroads where remembrance and hope meet to garden. I both recall and divine the entrancing rich black soil, the snap of fresh muddled lemon mint, and the echo of rumba in the primavera sun.
Sound credit goes to Kevin Colver and song credit for "Madre Rumba" goes to Celia Cruz/Humberto Juama.