Film

At only one hour and 28 minutes, it's an incredibly succinct piece of horror film-making, and I highly recommend it to everyone.

There aren't enough new ideas in Disclosure Day to make it feel important enough for people to rush to the theater, but maybe you can wait for it to show up on a streaming platform in your home.

This rated R peek into the music business is an endearing portrait of ambition, family, and the blurry nature of ideas. So why was I so bored? Plus, a bonus review of "Masters of the Universe."

"Backrooms" is so different and so brilliant, you might feel the need to watch it more than once.

Like we already learned with the extensive Marvel Cinematic Universe of too many movies, maybe there's too many Star Wars movies already deterring this new one from feeling interesting and fresh.

I know this sounds dramatic, but this film is the best one I've seen so far this year.

The trappings might be traditional and customary, but I promise you, this will get your heart racing.

It looks glamorous and without visual blemishes, but it has nothing lasting or memorable to say.

Utah resident Cole Webley features Utah landscapes in his new film "Omaha."

Those of you who love the exploratory fringes of film away from the mainstream will enjoy the answers that come from this one. Emotional baggage has never looked this beautiful or this haunting.