The Edge of Jazz
Sundays 10-11 p.m.
What is jazz? Jazz is as varied and diverse as Utah itself. It has high peaks and low valleys. It can be glossy, it can be gritty, it can be lush, and it can be very sparse. It can rush like a river or flow like a calming stream, and it is rooted in tradition while always embarking on new directions. Let’s explore it together on The Edge of Jazz, Sunday nights at 10.
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A warm and romantic blend of standards, ballads, and modern reflections — featuring Diana Krall’s “Autumn in New York,” Coltrane and Hartman’s “Autumn Serenade,” and Josh Lawrence’s “Still We Dream.” -
We explore the artistry of drummer, pianist, and composer Jack DeJohnette, who passed last month at the age of 83.
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A very special pre-Halloween edition spotlighting tunes that create just the right spooky and haunted atmosphere.
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A graceful, autumn-tinged jazz set blending nostalgia and warmth — featuring Stacey Kent’s “’Tis Autumn,” Tony Bennett’s “The Autumn Waltz,” and an expressive performance from Carmen McRae.
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A playful and inventive jazz set balancing classics and modern voices — featuring Doris Day’s vintage charm, Brad Mehldau’s introspection, and fresh originals from Neal Miner and Conrad Herwig.
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A powerful big band–driven set with global flair, weaving in Christian McBride’s “Moanin’,” Kathy Barr’s vintage swing, and heartfelt moments from Alex Sipiagin and Terri Lyne Carrington.
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A wide-ranging jazz set blending heartfelt originals, Afro-Caribbean rhythms, and modern swing — featuring Jaleel Shaw, Art Hirahara, Roger Glenn, and Eric Alexander with Vincent Herring.
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A colorful and eclectic jazz set mixing standards, Latin flair, and soulful grooves — featuring Anaïs Reno’s take on ‘Round Midnight,’ Deep Blue Organ Trio’s funk, and Conrad Herwig’s passion.
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A swinging and modern jazz set full of big band energy, lyrical ballads, and bold new voices — featuring Steve Allee’s Full Circle, Ron Blake’s groove, and Giacomo Smith’s take on a classic.
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A colorful mix of jazz traditions and fresh creativity — featuring Etienne Charles’ Creole rhythms, Dee Dee Bridgewater’s classic elegance, Jimmy Smith’s groove, and Danny Grissett’s lyrical touch.
